(EXPERIENCE MAGAZINE) — Hollywood, CA — Stacey Martino Rivera’s The Circle, which recently premiered at Greenway Court Theatre in Hollywood, is an exploration of family dynamics set against the chaotic backdrop of the 2016 election season. This tragi-comic play weaves together the lives of three generations from the Medina and Mahoney families, creating a narrative that resonates deeply with contemporary societal issues.
One of the most compelling aspects of The Circle is its familial authenticity. Rivera’s own family stars in the production, with her husband, René Rivera, taking on a leading role and their daughters, Ava and Luna, portraying younger versions of a character named Anna. This personal touch lends an emotional weight to the performance, as audiences witness the intricate dynamics of family life unfold on stage. Rivera’s intention to engage with themes of reconciliation rather than punishment is evident, as the play addresses intergenerational and intercultural conflicts through a lens of humor and hope.
The play’s structure echoes the absurdity of a Samuel Beckett piece, featuring conversations that often feel disjointed yet poignant. Rivera’s characters engage in dialogues that speak to their past and future selves, creating a reflective atmosphere that challenges the audience to consider their own narratives. The inclusion of a MAGA supporter, humorously tied up and stuffed in a closet, serves as a powerful metaphor for the unresolved tensions in society. It’s a stark reminder that even when we try to suppress issues, they remain ever-present.
D.W. Jacobs’ direction brings a deft touch to the chaotic nature of the script. He skillfully navigates the emotional highs and lows, allowing moments of laughter to coexist with deeper, heart-wrenching scenes. The performances by Michael Brainard, Jeanette Godoy, and Alma Martinez stand out, each bringing depth and nuance to their roles. Their chemistry and timing contribute to the play’s engaging rhythm, eliciting laughter and applause from the audience.
Adding richness to the experience is Germaine Franco’s original score, which enhances the play’s emotional landscape. Her musical storytelling roots shine through, creating soundscapes that complement the narrative and elevate key moments. Franco’s work reminds us of the power of music in theater, weaving together the threads of the story in a captivating way.
Beyond the performance itself, The Circle is part of a broader initiative by Greenway Arts Alliance to foster community dialogue. The accompanying panel series, Expanding Our Circles of Care, aims to engage audiences in discussions about the themes presented in the play. This commitment to community-building reflects Rivera’s vision of using art as a means of healing and connection.
The Circle is more than just a play; it’s a heartfelt exploration of the complexities of family and the societal challenges we face. Stacey Martino Rivera has crafted a work that is both entertaining and thought-provoking, inviting audiences to reflect on their own circles of care. With its strong performances, innovative direction, and community focus, this premiere is a testament to the power of theater in fostering understanding and compassion. As the audience exited the theater, it was clear that Rivera’s message of healing and hope resonated deeply, making The Circle a must-see production for anyone seeking a meaningful theatrical experience. For those interested, tickets are available for the show’s run through February 22, 2026, at the Greenway Court Theatre. Don’t miss the chance to witness this poignant narrative unfold on stage.
Click here to purchase tickets:
www.greenwaycourttheatre.orghttp://www.greenwaycourttheatre.org
An extra Bonus Performance has just been added to the performance schedule for THE CIRCLE for Saturday, February 28, 2026 at 8:00 p.m.
